{"id":304,"date":"2020-10-02T10:25:50","date_gmt":"2020-10-02T08:25:50","guid":{"rendered":"https:\/\/christian-elin.de\/?page_id=304"},"modified":"2024-12-06T12:48:33","modified_gmt":"2024-12-06T11:48:33","slug":"biographie","status":"publish","type":"page","link":"https:\/\/christian-elin.de\/en\/biographie\/","title":{"rendered":"Biographie"},"content":{"rendered":"
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Portrait<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CHRISTIAN ELIN <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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saxophone, bass clarinet, alto flute, composition<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As a soloist, composer, improviser as well as chamber and orchestral musician the multi-instrumentalist Christian Elin operates at the interconnection between classical music, jazz and world music. His entertainingly compered concerts are received with great enthusiasm by the public and the press.<\/p>

Since his studies in Munich, Paris and Basel and a one-year scholarship from the International Ensemble Modern Academy in Frankfurt, he has worked with many leading German orchestras, including the Berlin Philharmonic, the BR and HR symphony orchestras, the Bavarian State Orchestra, the Munich and Stuttgart orchestras Philharmonic, the Badische Staatskapelle Karlsruhe, the Klangforum Heidelberg and the Ensemble Modern. He played under the direction of conductors such as Mariss Jansons, Sir Simon Rattle, Kirill Petrenko and Hans Zender.<\/p>

Christian Elin has performed as a soloist with chamber orchestras such as the St. Christopher Chamber Orchestra \/ Vilnius, the Orchestre de Chambre Nouvelle Europe \/ Paris, the Kammerphilharmonie Frankfurt and the Sinfonia Concertante Bremen. In 2015 he played his composition \"WAVES\" for soprano saxophone and string orchestra at the World Saxophone Congress in Strasbourg with the Orchestre symphonique de Mulhouse.<\/p>

Since 2014 he has had a close musical partnership with the pianist and composer Maruan Sakas in the \"Duo Elin Sakas\", with whom he pursues a lively international concert activity alongside his chamber music formations \"Gambelin\" - in the unique line-up of viola da gamba and saxophone - \"Les anches vari\u00e9es\" and \"wind & keys\".<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A special characteristic of Christian Elins' musical work is his stylistic openness to early music, jazz, film music, Indian and Arabic music. It is particularly evident in his compositions, in which he fuses these influences with his classical background.\nChristian Elins\u2019 discography currently comprises 12 CDs \/ DVDs; his own compositions are currently available on four CDs: \u201cstreaming\u201d (2009) with solo works, about which the composer Erkki-Sven T\u00fc\u00fcr wrote: \u201cBeautiful, atmospheric and poetic\u201d, \u201cBack to yourself\u201d (2012), recorded as a duo with Anna D'Errico as well as \"Some Kind of Blues\" (2017) and \"Mittsommernacht\" (2020) in a duo with Maruan Sakas.\nFor his music he was awarded the Bavarian Art Prize. From the jury's statement: \"Christian Elin's improvisations on the soprano saxophone are outstanding, technically challenging but playfully easy, as well as his handling of influences from other cultures.\"\nThe musicians with whom Christian Elin has worked so far include Paul Beynet, Daniel Elias Brenner, Anindo Chatterjee, Anna D'Errico, Rihards Dubra, Peter E\u00f6tv\u00f6s, Pedro Estevan, Peter-Michael Hamel, Roger Hanschel, Christian Hei\u00df, Kilian Herold, Friederike Heumann, Sabine Lutzenberger, Zubin Mehta, Katie Melua, Walter Nussbaum, Hans-Eberhard Ro\u00df, Enjott Schneider, Kadri-Ann Sumera, Franz Wittenbrink, and Ken Zuckerman.\nChristian Elin has been a member of GEMA since 2007 and a full member since 2018.<\/span><\/p>\n

As a freelance music teacher, he teaches the subjects of saxophone, clarinet and piano and has been successfully managing himself in the music business for 15 years.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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L\u2019Incantesimo del profumo di legno<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Interview<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12 questions for Christian Elin<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Your first musical experience?
<\/em><\/strong>When, as a little boy, I heard a French chanson on the radio for the first time. Maybe my first musical experience was even the French language.<\/p>

When did you know you wanted to be a musician?
<\/em><\/strong>This wish arose during my high school days, at the age of 12, 13. My music teacher Gunther Ebner at the time was a very affectionate and inspiring character. Thanks to him, we students always had the opportunity to appear in the most varied of formations in school at theatre performances, summer festivals, etc. I can remember spending every free minute in the music room. I even received my first harmony and ear training lessons from him in the afternoon as an elective course student.<\/p>

Your pieces often have very sensuous titles borrowed from images of nature - \"Le vent de l'ouest\", \"Waves\", \"The scent of light\". One of your compositions is entitled \"The magic of the smell of wood\". How did that come about?
<\/em><\/strong>In fact, I love to smell freshly cut wood, for example when I'm going for a walk. It probably goes back to my youth, when I was doing my apprenticeship as a cabinet maker and every day the most varied smells of wood passed me by. As a result of my work in my ensemble \"Gambelin\", which also consists of two wooden instruments, the question arose later whether it is possible to capture the smell of wood in music.<\/p>

You are one of the few performers to play the bass clarinet as a solo instrument. What brought you to this special instrument?
<\/em><\/strong>Apart from the fact that it is made of wood and can sometimes even sound a little like a didgeridoo in the low notes, it was above all the warm, calming sound, the huge range of 4 octaves and the external aesthetics of this instrument that have attracted me. I like to be able to play both accompaniment and solo parts on the same instrument and to be able to conjure up completely different moods than with the saxophone thanks to the special sound.<\/p>

A concert that stuck in your memory?
<\/em><\/strong>Avner Dorman: \"Frozen in time\", HR symphony orchestra with Martin Grubinger, drums. I was playing along myself, but at the same time I was also a listener in the 2nd movement of the concert, in which there is no saxophone. Martin Grubinger felt with every note of the orchestra in this movement (\"Eurasia\"), which sounds like a reminiscence of European music history, - especially when he was not playing himself - this presence he had was very inspiring for me.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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When practicing: sustaining notes or finger exercises?
<\/em><\/strong>Sustaining notes.<\/p>

Your favourite warm-up before a concert?
<\/em><\/strong>Coming to rest, a quarter of an hour of silence.<\/p>

You once said that as a musician on stage you have a responsibility to the audience because you have an intense relationship with them during the concert. How do you do that? <\/em>Wie gelingt dir das?
<\/em><\/strong>Before every concert, I try to open myself up completely to the music and the audience. I took a lot with me from Indian music philosophy. Ali Akbar Khan once said he was just the \"vessel\" through which the music gets into the hearts of the audience. Telling stories, especially with my own compositions, is also a very nice way for me to get close to my audience.<\/p>

You are also a saxophone teacher. Have you ever had a student in whom you recognized or heard yourself?<\/strong>
<\/em>Yes, a very long-time student. In her case I rediscovered a lot that is also important to me and belongs to my character: love of freedom, unconventionality, consistency with regard to my own path.<\/p>

What do you say to people who ask you about your right job when you tell them that you are a musician?<\/strong>
<\/em>I smile. It used to be different, however.<\/p>

Which musician would you like to meet someday?<\/strong>
<\/em>Claude Debussy; him improvising on the piano and me playing along. Afterwards lively conversations in French. I think he had a pretty good sense of humour.<\/p>

An instrument that you would like to learn?<\/strong>
<\/em>Alto flute. In fact, for some time now I've been delving into the world of very airy and breathy tones. And I am happy about the lightness that these sounds trigger in me.<\/p>

\u00a0<\/p>

Alexander Doll asked the questions.<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\"Christian Elin's jazz inspired composition \"May\" sounds simply bewitching.\"\t\t\t\t\t<\/div>\n\t\t\t\t\tFinancial Times Deutschland<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"These two fine artists have immersed themselves in beauty, high discipline and artistry.\u201c\t\t\t\t\t<\/div>\n\t\t\t\t\tDave Liebman<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cChristian Elins improvisations on the soprano saxophone, technically challenging yet playfully executed, along with his dealing with musical influences from other cultures is quite exceptional.\u201d\t\t\t\t\t<\/div>\n\t\t\t\t\tJurybegr\u00fcndung zum Bayerischen Kunstf\u00f6rderpreis<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"More compact, more tightly-fitting, more embracing and more touching than one can imagine music for a single saxophone could be.\u201c\t\t\t\t\t<\/div>\n\t\t\t\t\tClarino<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201eGorgeous, atmospheric and poetic.\"\t\t\t\t\t<\/div>\n\t\t\t\t\tErkki-Sven T\u00fc\u00fcr<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201eThe collaboration with Christian Elin was characterized by his high level of musicality, his professionalism and his confident interpretations.\u201c\t\t\t\t\t<\/div>\n\t\t\t\t\tKirill Petrenko<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"A soprano saxophone modulating in masterful intensity.\"\t\t\t\t\t<\/div>\n\t\t\t\t\tRheinische Post<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201eHighlight in the art of duo playing\u201c\t\t\t\t\t<\/div>\n\t\t\t\t\tFono Forum<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Fair and beautiful\"\t\t\t\t\t<\/div>\n\t\t\t\t\tHannoversche Allgemeine Zeitung<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"A consummate master of his instrument.\"\t\t\t\t\t<\/div>\n\t\t\t\t\tNeue Musikzeitung<\/span><\/cite>\t\t\t\t<\/div>\n\t\t\t\t\t\t
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Awards<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2022<\/em><\/strong>
sponsorship from NEUSTART KULTUR
for the ensemble GAMBELIN<\/p>

2019<\/em><\/strong>
2019 scholarship program \"Concerto 21\"
Alfred T\u00f6pfer Foundation<\/p>

2015<\/em><\/strong>
European music author's scholarship (GEMA)
Artist in residence festival 1001 notes \/ F<\/p>

2014<\/em><\/strong>
opera production of the year
\"The Soldiers\" \/ Bavarian State Opera<\/p>

2013<\/em><\/strong>
Bavarian Young Artist's Award<\/p>

2007<\/em><\/strong>
Art prize Gersthofen<\/p>

2005<\/em><\/strong>
scholarship European Centre for the Arts Dresden-Hellerau<\/p>

2004<\/em><\/strong>
scholarship International Ensemble Modern Academy<\/p>

2002-2008<\/em><\/strong>
Yehudi Menuhin Live Music Now<\/p>

1997<\/em><\/strong>
first prize in Germany's Youth Music Competition\n\"Young people make music\"<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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INSTRUMENTS <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Christian Elin plays Selmer <\/a>.<\/p>

Bass clarinet<\/strong>: Privil\u00e8ge
Soprano saxophone<\/strong>: Super Action 80 Serie III
<\/span>Alto saxophone:<\/strong>: Super Action 80 Serie II
<\/span>Tenor saxophone<\/strong>: Mark VI<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"logo\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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CREDENTIALS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ArsMusica Br\u00fcssel\/B
Concertgebouw Amsterdam
Schleswig-Holstein Music Festival
Schwetzingen SWR Festival
Philharmonic Hall Berlin
Konzerthaus Berlin
Musica Antiqua Bruges
Handel Festival Halle
Bregenzer Festspiele
Gezeitenkonzerte
Lake Constance Festival
Arnstadt Bach Festival
Beethovenfest Bonn
Hohenloher Kultursommer
H\u00f6ri Music Days
Kempen Classic
M\u00fcnchner Residenzkonzerte
Konzerthaus Wien
Bautzener Kammerkonzerte
Barockmusiktage Schrobenhausen
B\u00fcrener Kantoreikonzerte
W\u00f6rrst\u00e4dter Bachwoche
Konzertpodium Bad Homburg
Walldorfer Musiktage
Me\u00dfdorfer Musikfesttage
Skulpturenmuseum im Hofberg Landshut
IRCAM Paris\/F
Klangreich Romanshorn\/CH
Jazzclub Uster\/CH
Th\u00e9atre des Sablons Neuilly sur Seine\/F
Jazz \u00e0 cours et \u00e0 jardins Lyon\/F
Klavier plus Isny
Tage alter Musik Schwerin
Cit\u00e9 de la Musique Strasbourg\/F
Weilburger Schlosskonzerte
Festival 1001 Notes Limousin\/F
Fischerhuder Hofkonzerte
Kloster Speinshart
Unterfahrt M\u00fcnchen
Salonfestival Hannover
Jazzfestival St. Wendel
„erstKlassik“ Hallbergmoos
Klangaktionen M\u00fcnchen
Staatstheater Kassel
Stadttheater Landsberg
Jazz Festival Munich
Philharmonie M\u00fcnchen
Kloster Roggenburg
Alte Oper Frankfurt
Moods Club Z\u00fcrich\/CH
Burgkultur St. Veit\/A
Jazzclub Raab\/A
Festival Badia Musica \/I
Konzerte im Kallmann-Museum Ismaning
Wiblinger Bachtage
Domkonzerte Eichst\u00e4tt
Musica viva M\u00fcnchen
„Jazz and more“ B\u00fcrgerhaus Pullach
„Jazz im Schlo\u00df“ Taufkirchen
Loft\/K\u00f6ln
Raum f\u00fcr Musik Zoglau
Konservatorium Almaty\/Kasachstan<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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NEWSLETTER<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sign up for my free newsletter here, about 5 times a year\nabout my latest videos, CD productions, concert dates and workshops\nto be up to date.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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___<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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